14 February, 2009
John Champlin Gardner, Jr. was a well-known and controversial American novelist and university professor, best known for his novel Grendel, a retelling of the Beowulf myth.
Gardner was born in Batavia, New York. His father was a lay preacher and dairy farmer, and his mother taught English at a local school. Both parents were fond of Shakespeare and often recited literature together. As a child, Gardner attended public school and worked on his father's farm, where, in April of 1945, his younger brother Gilbert was killed in an accident with a cultipacker. Gardner, who was driving the tractor during the fatal accident, carried guilt for his brother's death throughout his life, suffering nightmares and flashbacks. The incident informed much of Gardner's fiction and criticism — most directly in the 1977 short story "Redemption," which included a fictionalized recounting of the accident.
Gardner began his university education at DePauw University, but received his undergraduate degree from Washington University in St. Louis in 1955. He received his M.A. from the University of Iowa.
Gardner's most popular novels are: The Sunlight Dialogues, about a brooding, disenchanted policeman who is asked to engage a madman fluent in classical mythology; Grendel, a retelling of the Beowulf legend from the monster's point of view; and October Light, about an aging and embittered brother and sister living and feuding together in rural Vermont. This last novel won the National Book Critics' Circle Award in 1976. Each book features brutish, isolated figures struggling for integrity and understanding in an unforgiving society.
Gardner was a lifelong teacher of fiction writing. He was a favorite at the Bread Loaf Writers' Conference. His two books on the craft of writing fiction—The Art of Fiction and On Becoming a Novelist—are considered classics. He was famously obsessive with his work, and acquired a reputation for advanced craft, smooth rhythms, and careful attention to the continuity of the fictive dream. At one level or another, his books nearly always touched on the redemptive power of art.
In 1978, Gardner's book of literary criticism, On Moral Fiction, sparked a controversy that excited the mainstream media, vaulting Gardner into the spotlight with an interview on The Dick Cavett Show (May 16, 1978) and a cover story on The New York Times Magazine (July, 1979). His judgments of contemporary authors—including such luminaries of American fiction as John Updike and John Barth—which could be termed either direct, courageous, or unflattering, depending on one's perspective, harmed his relations with many in the publishing industry. Gardner claimed that lingering animosity from critics of this book led to the lukewarm critical reception of his final novel, Mickelsson's Ghosts. What was unfortunately lost in the furor over On Moral Fiction was Gardner's compelling thesis, perhaps the most clear articulation of his normative fictional philosophy: that fiction should be moral. Gardner meant "moral" not in the sense of narrow religious or cultural "morality," but rather that fiction should aspire to discover those human values that are universally sustaining. Gardner felt that few contemporary authors were "moral" in this sense, but instead indulged in "winking, mugging despair" (to quote his assessment of Thomas Pynchon) or trendy nihilism in which Gardner felt they did not honestly believe. Gore Vidal found the book, as well as Gardner's novels, sanctimonious and pedantic, and he called Gardner the "late apostle to the lowbrows, a sort of Christian evangelical who saw Heaven as a paradigmatic American university."
In 1977, Gardner published The Life and Times of Chaucer. In a review in the October 1977 issue of Speculum, Sumner J. Ferris pointed to several passages that were allegedly lifted either in whole or in part from work by other authors without proper citation. Ferris charitably suggested that Gardner had published the book too hastily, but on April 10, 1978, reviewer Peter Prescott, writing in Newsweek, cited the Speculum article and accused Gardner of plagiarism, insinuations that were met by Gardner "with a sigh."
On December 10, 1977, Gardner was hospitalized with colon cancer. He remained in Johns Hopkins Hospital for about a month and a half.
He died on September 14, 1982 in a motorcycle crash near Susquehanna, Pennsylvania.
Gardner is buried next to his brother Gilbert in Batavia's Grandview Cemetery.