Zachary Scott

Zachary Scott was an American actor who was known for his roles as villains and "mystery men".

Scott was born in Austin, Texas, the son of Sallie Lee (Masterson) and Zachary Thomson Scott, a doctor.

Scott intended to follow his father into medicine, but after attending the University of Texas at Austin he dropped out at age 19 and worked as a seaman on an England-bound freighter. There he appeared in almost two dozen repertory theatre productions in 18 months.

Alfred Lunt and Lynn Fontanne met Scott and his wife Elaine Anderson in Austin, Texas, where Scott was completing his degree, and then wrote to Lawrence Langer about summer jobs for both at the Westport [CT] Playhouse, which led to Scott's engagements in New York. He made his debut in a revival of Ah, Wilderness! in 1941 with a small role as a bartender. He was also in The Damask Cheek (1942), The Rock (1943), and Those Endearing Young Charms (1943).

Jack L. Warner saw Scott perform in Those Endearing Young Charms and signed him to his first film contract, which led to his screen debut in The Mask of Dimitrios (1944).

Scott was one of the many Warners stars who had small roles in Hollywood Canteen (1944). He was loaned out to United Artists to play the lead in The Southerner (1945) directed by Jean Renoir.

Back at Warners, Scott was cast in Mildred Pierce (1945) and received much acclaim for his duplicitous performance as the lover of both Joan Crawford and her daughter; his mysterious murder forms the basis of the plot.

Scott co-starred with Faye Emerson in Danger Signal (1945) and was with Janis Paige and Dane Clark in Her Kind of Man (1946). In 1946 exhibitors voted Scott the third most promising "star of tomorrow."

Scott supported Ann Sheridan in The Unfaithful (1947) and Ronald Reagan and Alexis Smith in Stallion Road (1947). MGM borrowed him to support Lana Turner and Spencer Tracy in Cass Timberlane (1947).

He had the lead in a noir for Eagle Lion, Ruthless (1948), then returned to Warners for Whiplash (1948) with Clark. He supported Virginia Mayo in Flaxy Martin (1949) and Joel McCrea in the independent South of St. Louis (1949). He was reunited with Crawford in Flamingo Road (1949).

Warners tried Scott in a comedy with Alexis Smith, One Last Fling (1949). He starred in some films outside the studio, Guilty Bystander (1950) and Shadow on the Wall (1950). At Warners he supported Randolph Scott in Colt .45 (1950). He did Born to Be Bad (1950) for Nicholas Ray and Pretty Baby (1950) for Warners.

Scott appeared on a variety of television series such as Armstrong Circle Theatre (1950) and Pulitzer Prize Playhouse (1951). He did Lightning Strikes Twice (1951) for King Vidor and The Secret of Convict Lake (1951).

Scott's first film after he left Warners was Stronghold (1951) with Veronica Lake. He followed it with Let's Make It Legal (1951). He was on TV in Tales of Tomorrow (1951) and Betty Crocker Star Matinee (1952) and went to England to make Wings of Danger (1952).

In Hollywood he was in Studio One in Hollywood (1953), and Medallion Theatre (1953) on TV, and Appointment in Honduras (1953), directed by Jacques Tourneur. He was in The Revlon Mirror Theater (1953), Chevron Theatre (1953), Suspense (1954), Schlitz Playhouse (1954), The Motorola Television Hour (1954), Campbell Summer Soundstage (1954), The United States Steel Hour (1954), Omnibus (1954), Climax! (1955), General Electric Theater (1955), Robert Montgomery Presents (1956, playing Philip Marlowe in a version of The Big Sleep), Science Fiction Theatre (1955), The Star and the Story (1956), Celebrity Playhouse (1956), Theatre Night (1957) and Pursuit (1958).

He made the occasional film such as Treasure of Ruby Hills (1955), Shotgun (1955), Flame of the Islands (1956), The Counterfeit Plan (1957), and Man in the Shadow (1957).

Scott returned to Broadway with Requiem for a Nun (1959).

Scott was in The Young One (1960) directed by Luis Buñuel. He guest starred on The Chevy Mystery Show (1960), Alfred Hitchcock Presents (1960) and Diagnosis: Unknown (1960). In 1961, he portrayed White Eyes, a Native American Chief, in the Rawhide episode "Incident Before Black Pass".

Scott married his second wife, actress Ruth Ford. They had a child together, and he also adopted her daughter from a previous marriage.

He was in the film Natchez Trace (1960) and had roles in The DuPont Show of the Month (1961), Play of the Week (1961), The New Breed (1961), The Defenders (1961) and The DuPont Show of the Week (1962).

Scott's last roles included It's Only Money (1962) with Jerry Lewis, the TV movie The Expendables (1962), and episodes of The Doctors and the Nurses (1962) and The Rogues (1965). He returned to Broadway for A Rainy Day in Newark (1963) by Howard Teichmann. He then moved back to Austin.

Scott died on October 3, 1965 from a malignant brain tumor at the home of his mother in Austin, Texas, at the age of 51.